101 Dalmatians

Andre Gonzales

A true classic. Who doesn't like this movie. If you haven't seen it, I really recommend it. Especially for kids.

CinemaSerf

Unfortunately, this is really just a vehicle for a wonderfully sinister Glenn Close as Dodie Smith's aptly named "Cruella De Vil". She has a penchant for fur; and the finer and more rare the better. When she discovers that Jeff Daniels and Joely Richardson have a whole 101 Dalmatians, she reckons a new coat beckons and dispatches a couple of her crazily inept henchmen to carry out the simple task of dognapping them. At times it is quite funny, but all in a rather predictable way. A solid British cast help to keep this simmering along but it's really just one for the kids and not really a patch on the animation.

Disney plumbs the depths of their classic animation and creates a one hundred minute commercial for their Dalmatian products. Glenn Close perfectly embodies Cruella DeVil. She is the fashion designing boss of Anita (Joely Richardson). Roger (Jeff Daniels) has a Dalmatian, like Anita, but he is unsuccessful as a video game designer- living in that hotbed of video game designing- London. Anita and Roger meet overly cute, and their dogs Pongo (his) and Perdy (hers) fall in love, too. Anita and Roger marry, and get pregnant. Pongo and Perdy marry, and get pregnant. Poor Perdy squeezes out fifteen puppies, under the watchful, slumming eye of Joan Plowright, playing Nanny. Cruella returns and offers to buy the puppies. Inspired by one of Anita's designs, she plans to make a giant fur coat out of them. She and her henchmen have been collecting puppies, and these final fifteen will give her her frock. Anita and Roger do not sell. The puppies are dognapped by henchmen Jasper (Hugh Laurie) and Horace (Mark Williams), who look exactly like their animated counterparts from the better Disney film. The very long finale is one giant rescue scene, as the puppies are helped by other animals to escape, with Cruella, the henchmen, and a psychotic mute taxidermist named Skinner (John Shrapnel) on their collective tails. Screenwriter John Hughes apes his "Home Alone" ingredient of having grown men injured by cute creatures so often, I though I was watching an unofficial sequel. Director Stephen Herek is no Chris Columbus, however. While Columbus can direct (usually), Herek is all over the place, not quite sure what he should be capturing in order to double over the audience with laughter. The scene where Anita and Roger meet after wrecking their bikes thanks to their runaway dogs is milked for all it is worth and runs way too long. The editing is not tight, as Herek switches back and forth between multiple cameras, and capturing extreme close-ups of "funny business" instead of just letting the actors be funny. Daniels and Richardson get lost in the shuffle, making no impression on the audience whatsoever. Glenn Close is just right for the part, with some amazing costumes and hair, but she seems reined in as well. The film makers cannot decide if their audience is innocent children or their tired parents. Some of the dialogue is harsh, like the villains' plans for the puppies, but that is offset by sugar coating too many scenes, including the finale. There are also a couple of clips from other Disney films in the movie, but this does not seem like an inside joke so much as free advertising for other Disney videos. In the end, "101 Dalmatians" fails to deliver on its intent. Close almost breaks free from the shackles of marketing mediocrity, but the real loser here is the audience. The puppies are adorable, though.

Walt Disney's classic film, 101 Dalmatians, may not be completely original as it is based on a previous book, but it has turned its characters into beloved favorites, especially Pongo and Purdy. The movie will make you fall in love with all the adorable puppies like Lucky, Penny, Patch, and Freckles. The animation is superb with just the right amount of music that doesn't overwhelm the storyline but does give us the memorable song of Cruella Deville. Speaking of the villain, Cruella is an iconic and fantastically over-the-top character, with Horace and Jasper adding to the trio's incredible dynamic. The film is a delightful experience from start to finish, a complete classic that has been a box office success and is one of Walt Disney's triumphs. Moving forward, the live-action films, 101 Dalmatians and 102 Dalmatians, are based on the cartoon and offer a fresh take on the story with Glenn Close's portrayal of Cruella Deville being particularly outstanding. While the movies may have a few plot holes, they are still top-notch entertainment. The sequel, 101 Dalmatians Part 2 in the Animated Series, focuses on Patch's adventures in London, adding a new dimension to the beloved story. Although the animated series may not reach the same heights as the original or the movies, it is still worth a watch for fans of the franchise. Overall, the four films together create an enjoyable and incredible experience. They are definitely worth checking out, with Patch's story adding an extra layer of fun to the beloved Dalmatian universe.

Vinicius Monteiro

Who doesn't remember Cruella De Vil's iconic, shrill laugh echoing across the screen? Revisiting the 1996 live-action "101 Dalmatians" immediately takes us back to a time when Disney was just starting to test the waters of turning its classic animations into live-action movies. But did the magic of the cartoon survive the jump to flesh, bone, and a whole lot of slapstick comedy? Join me on this nostalgic deep dive as we unpack the hilarious highs, the pacing missteps, and, of course, the undeniable brilliance of one of cinema's greatest villains. Looking at how this version was put together, screenwriter John Hughes's heavy influence on the tone is super clear. Trying to bring the animated classic into the real world resulted in a comedy that leans heavily on slapstick, pulling straight from the playbook of hits like "Home Alone." I feel like the subtle, delicate magic of the 1961 cartoon gets a bit lost when it's traded in for goons falling into obvious traps or getting covered in mud. It's an approach that's clearly going for easy laughs, and it works great for kids, but it might come off a bit shallow or goofy for adults looking for that same cozy vibe of the original. While the storytelling might lack subtlety at times, the same definitely can't be said for the movie's aesthetics. The production design and especially the costumes created by Anthony Powell are a show in themselves and one of the absolute highlights. Every time Cruella shows up, it's with exaggerated silhouettes, over-the-top textures, and a color palette that screams power and danger, perfectly translating the animated villain into the physical world. The visual contrast between the warm, cozy home of Roger and Anita and Cruella's decaying, gothic mansion helps build a rich atmosphere that keeps you hooked. What really saves a big part of the experience and elevates the movie is, without a doubt, the stellar cast. Whenever I watch Glenn Close's performance as Cruella De Vil, I'm just blown away. She perfectly understood the caricature she needed to embody, owning every scene with a delicious, theatrical villainy that became the gold standard for Disney remakes. The dynamic between Hugh Laurie and Mark Williams as her henchmen, Jasper and Horace, also brings some genuine comedic relief. On the flip side, the human protagonists, Roger (Jeff Daniels) and Anita (Joely Richardson), end up being pretty uninteresting. They basically just serve as an ethical backdrop for the story, easily outshined by the eccentric villains and the charm of the dogs. One of the biggest challenges in an animal-centered live-action is the practical execution, and the production team deserves a huge round of applause for the exhausting and successful training of the real dogs. The organic interaction between the puppies on screen brings an undeniable charm to the movie. However, not everything has aged well. The few scenes that rely on CGI to simulate impossible expressions or movements look pretty rough today, coming off as super artificial. Another weird detail that might pull more attentive viewers right out of the movie is the inclusion of animals that aren't even native to the UK-like raccoons and skunks-helping out with the big puppy rescue. Despite a promising first act that sets up the romance and the conflict really well, the story runs into some clear structural issues toward the end. The movie drags in certain spots and gets a bit exhausting by focusing way too much on Jasper and Horace's long, repetitive blunders in the snow. What should have been a fast-paced, exciting rescue with a bit of tension turns into a long, drawn-out slapstick sketch that unnecessarily stretches the runtime. Even with its pacing flaws, heavy reliance on visual gags, and the constant feeling that it never quite hits the pure charm of the '61 animation, I can still find some undeniable nostalgic value here. I don't think it's a brilliant or essential piece of cinema history-it's honestly pretty similar to other average animal movies from that decade. That being said, it perfectly does its job as easygoing entertainment and delivers a timeless message about animal care and protection. All in all, the "101 Dalmatians" live-action is an over-the-top rollercoaster that trades subtlety for physical comedy, masterfully held together by unforgettable performances, especially from the one and only Glenn Close. It's a flawed movie that feels a bit dated in some technical aspects, but it keeps its heart in the right place to guarantee a fun family Sunday afternoon. So, grab some popcorn, get everyone on the couch, and revisit-or discover-this classic adventure. Go in with an open mind, have a good laugh at the goofiness, and draw your own conclusions about the legacy of this endless Dalmatian-mania!